NICOLE FISCHER
EDITOR & WRITING COACH
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MY SERVICES
I offer a range of editing, copywriting, coaching, and consultation packages. My prices vary depending on the service and length of your project. In most cases, I charge per word (between $0.02-$0.05), factoring in the level of edit and how many rounds of revisions or editorial calls may be needed. Shorter projects or one-off consultations have a flat fee (between $150-$500) and coaching rates are hourly ($150) with a monthly retainer if you’d like to talk regularly.
Please use the contact form below to request more information on pricing or to get an individual quote based on your needs.
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Disclaimer: I personally do not use any AI tools beyond basic spellcheck features included with Word (not Copilot). I will never input your work into any AI software, use AI to assess your manuscript, nor rely on AI to write editorial feedback or copy. Please let me know if you have used AI to write any of your material so I can provide a proper evaluation.
QUERY REVIEW
When you’re ready to query agents and/or publishers that accept unsolicited manuscripts, I'll review your query letter and/or package (query + synopsis + sample chapters) to ensure your material is clear, concise, and grabs the reader’s attention. I’ll help you structure the email to meet agent/publisher exceptions, suggest edits to your descriptive copy, proofread the full text, and offer feedback and suggestions on any comp titles. If you're interested, I can also provide line edits and big-picture comments on your synopsis and sample chapter(s).
PLOT EVALUATION
If you’re working on (or stuck in the middle of) a story idea and would like another set of eyes or a brainstorming partner, I'll read your outline, a detailed synopsis, and/or a few sample chapters, offering my initial impression of the concept and asking questions about story elements. I'll also provide ~2-3 suggestions on how to improve any current issues with plot, logic, pacing, voice, character arcs, or any relevant romantic conflicts, world-building, and mystery elements. I'll make notes in the file(s) and share them with you ahead of a call, where we can discuss ideas, brainstorm changes, and address any outstanding questions. Note: This is better for folks who do not have a finished draft.
COPY WRITING
I'll read a detailed synopsis of your novel and write a draft of descriptive copy you can use on the book jacket or back cover, online retailers, and any other places you need to share it. Depending on your print format and genre, cover copy is typically between 150-350 words, including an SEO-optimized intro line. I’ll write the copy based on the tone of your novel and genre expectations (e.g., romantic comedy copy would be different from a thriller). If you wish, you can tell me your desired tone and length or send an example of copy you like, and I’ll aim to write it in that style. Once a draft is complete, you can provide feedback, and I’ll do one round of rewrites on the copy. Note: If you've paid for a manuscript assessment or developmental edit with me, you can add this on after revisions for a discount.
MANUSCRIPT ASSESSMENT
I'll read your manuscript to evaluate the voice, plot, logic, pacing, conflict, and character development. Depending on the subgenre, I'll also keep track of the romantic tension and emotional arc, mystery elements and reveal payoff, and world-building. I'll share an editorial letter outlining any areas that could be improved (and things I liked, of course!), and I'll offer suggestions on how to fix or strengthen those elements. Once you've had time to read my letter, you can request a call to ask me questions and discuss your revision ideas.
DEVELOPMENTAL EDIT (+/- LINE EDIT)
More in-depth than an assessment and includes edits in your manuscript itself. I'll evaluate the voice, plot, logic, pacing, conflict, and character development, as well as any relevant romantic tension, emotional arcs, mystery elements, or world-building. I’ll share an editorial letter outlining any areas that could be improved (and things I liked, of course!), and I’ll offer suggestions on how to fix or strengthen those elements. I’ll also add comments in the manuscript where and when story problems or questions arise. If you want a line edit, I'll make track changes to flag repetition and inconsistencies; improve readability (e.g., wordy or clunky phrases, confusing language, jarring transitions, or awkward/unnecessary details); and fix any minor punctuation or grammar errors I spot. Once you’ve had time to read my letter and in-line notes, you can request a call to ask me questions and discuss your revision ideas. I will also do a second cold read of your clean, revised manuscript once you’ve finished editing.​ Note: I have traditionally done developmental and line edits at the same time, but we can discuss your needs and determine if line edits on a second pass (rather than a cold read) would be ideal for you.
INDUSTRY CONSULTATION
Wondering which imprints acquire your genre? Not sure how to narrow down your list of agents? Curious how certain titles end up in Target or the BOTM box? On an hour-long call, we can discuss the overall publishing industry, the query process for both agents and editors, what may happen if you get an offer (or multiple), the key milestones between signing a contract and publication day (i.e., what is happening behind the scenes while you finish your manuscript), and an overview of what to expect after publication (let’s be realistic!). With over a decade of experience on both the agency and publisher side, you can pick my brain for knowledge and tips on various publishing situations.
WRITING OR BOOK COACHING
This is a customizable offering for those looking for a coach to be a sounding board and skill-building partner (for business communications or publishing). I'd be available on a regular basis to offer tips and strategies, coach you through projects, and provide input on your writing itself. For authors, this is modeled after what you'd get with an in-house editor at a big 5. I'd provide industry guidance and input on your working drafts, the marketability of your ideas, your author brand (voice, covers, descriptive copy, project themes and tropes, website design, etc.), or any other publishing-related topics that arise. For other professionals, I'd review your business communications and writing projects, working with you to identify strengths, areas of development, and goals. I'd share business writing best practices, pen-to-paper strategies, and tips to improve clarity, concision, and structure, which you could apply to emails, pitches, proposals, reports, etc. If you’re interested in an ongoing editor or coach relationship at a negotiated monthly rate, please feel free to reach out for a consultation to discuss your needs, how long you'd like to work together, frequency of meetings, etc.